Modulation · Session 01

Modulation Deep Dive

18 min · The long one · Patch cable required

 

The complete modulation system — including the half most Poly D owners never touch.

The front panel gives you four sources and two destinations. The patch bay on the back gives you four more sources — aftertouch, pitch, V-trig, velocity — and the mod source jack, which routes any of them into the modulation mix so a single cable can feed both destinations at once. That’s where the two best tricks come from: aftertouch for pressure-controlled filter and genuine vibrato from wiggling a key, and V-trig for turning the mod wheel into a filter or pitch control. Everything before that builds the foundation: LFO, envelope, noise, oscillator 4, audio rate modulation and the envelope-to-pitch slide.

In this session

Sources & destinationsStacking modulation sourcesPitch drift & vibratoNoise modulationOscillator 4 as LFOAudio rate modulationThe mod source jackAftertouch patchingV-trig → mod wheel control

Tip: For anything through the mod source jack, the modulation mix has to sit on noise. Nothing is bypassed — as long as a cable is patched in, noise steps aside and your source takes its place.

Want the systematic path?

These sessions are deep dives. The full course is the structured route from unboxing to confident sound design — including the preset app with 50 patches.

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